Friday, February 17, 2012
ladiesmakingcomics: ProFile Friday Jackie Ormes (August 1, 1911–December 26, 1985) is known as the first African-American woman cartoonist, for her “Torchy Brown in ‘Dixie to Harlem’”. Jackie Ormes was born Zelda Mavin Jackson in Monongahela, Pennsylvania. Ormes started in journalism as a proofreader for the Pittsburgh Courier, a weekly African American newspaper that came out every Saturday. Her 1937-38 Courier comic strip, “Torchy Brown in ‘Dixie to Harlem’”, starring Torchy Brown, was a humorous depiction of a Mississippi teen who found fame and fortune singing and dancing in the Cotton Club. Ormes moved to Chicago in 1942, and soon began writing occasional articles and, briefly, a social column for the Chicago Defender, one of the nation’s leading black newspapers, a weekly at that time. For a few months at the end of the war, her single panel cartoon, Candy, about an attractive and wisecracking housemaid, appeared in the Defender. By August 1945, Ormes’s work was back in the Courier, with the advent of Patty-Jo ‘n’ Ginger, a single panel cartoon. It ran for eleven years, and featured a big sister-little sister set-up, with the precocious, insightful, and socially/politically-aware child as the only speaker, and the beautiful adult woman as a sometime pin-up figure and fashion mannequin. Ormes contracted with the Terri Lee doll company in 1947 to produce a play doll based on her little girl cartoon character. The Patty-Jo doll was on the shelves in time for Christmas, and was the first American black doll to have an extensive upscale wardrobe. As in the cartoon, the doll represented a real child, in contrast to the majority of dolls that were mammy and Topsy-type dolls. In 1950, the Courier began an eight-page color comics insert, where Ormes re-invented her Torchy character in a new comic strip, Torchy in Heartbeats. This Torchy was a beautiful, independent woman who finds adventure while seeking true love. Ormes expressed her talent for fashion design as well as her vision of a beautiful black female body in the accompanying Torchy Togs paper doll cut outs. The strip is probably best known for its last episode in 1954, when Torchy and her doctor boyfriend confront racism and environmental pollution. Torchy presented an image of a black woman who, in contrast to the contemporary stereotypical media portrayals, was confident, intelligent, and brave. Ormes’s obvious leftist politics led the FBI to investigate her during the McCarthy era. Jackie Ormes enjoyed a happy, forty-five year marriage to Earl Clark Ormes. She retired from cartooning in 1956, although she continued to create art, including murals, still lifes, and portraits. She contributed to her South Side Chicago community by volunteering to produce fundraiser fashion shows, and various entertainments. Ormes was also on the founding board of directors for the DuSable Museum of African American History. In 2007, cartoonist and comics journalist Cheryl Lynn Eaton founded The Ormes Society, which promotes black female comics creators. A biography of Ormes was written by Nancy Goldstein and published by the University of Michigan Press in 2008. I feel really bad about not knowing a lot about this pioneering creator. I aim to rectify that mistake.

ladiesmakingcomics:

ProFile Friday

Jackie Ormes (August 1, 1911–December 26, 1985) is known as the first African-American woman cartoonist, for her “Torchy Brown in ‘Dixie to Harlem’”.

Jackie Ormes was born Zelda Mavin Jackson in Monongahela, Pennsylvania. Ormes started in journalism as a proofreader for the Pittsburgh Courier, a weekly African American newspaper that came out every Saturday. Her 1937-38 Courier comic strip, “Torchy Brown in ‘Dixie to Harlem’”, starring Torchy Brown, was a humorous depiction of a Mississippi teen who found fame and fortune singing and dancing in the Cotton Club.

Ormes moved to Chicago in 1942, and soon began writing occasional articles and, briefly, a social column for the Chicago Defender, one of the nation’s leading black newspapers, a weekly at that time. For a few months at the end of the war, her single panel cartoon, Candy, about an attractive and wisecracking housemaid, appeared in the Defender. By August 1945, Ormes’s work was back in the Courier, with the advent of Patty-Jo ‘n’ Ginger, a single panel cartoon. It ran for eleven years, and featured a big sister-little sister set-up, with the precocious, insightful, and socially/politically-aware child as the only speaker, and the beautiful adult woman as a sometime pin-up figure and fashion mannequin.

Ormes contracted with the Terri Lee doll company in 1947 to produce a play doll based on her little girl cartoon character. The Patty-Jo doll was on the shelves in time for Christmas, and was the first American black doll to have an extensive upscale wardrobe. As in the cartoon, the doll represented a real child, in contrast to the majority of dolls that were mammy and Topsy-type dolls.

In 1950, the Courier began an eight-page color comics insert, where Ormes re-invented her Torchy character in a new comic strip, Torchy in Heartbeats. This Torchy was a beautiful, independent woman who finds adventure while seeking true love. Ormes expressed her talent for fashion design as well as her vision of a beautiful black female body in the accompanying Torchy Togs paper doll cut outs. The strip is probably best known for its last episode in 1954, when Torchy and her doctor boyfriend confront racism and environmental pollution. Torchy presented an image of a black woman who, in contrast to the contemporary stereotypical media portrayals, was confident, intelligent, and brave. Ormes’s obvious leftist politics led the FBI to investigate her during the McCarthy era.

Jackie Ormes enjoyed a happy, forty-five year marriage to Earl Clark Ormes. She retired from cartooning in 1956, although she continued to create art, including murals, still lifes, and portraits. She contributed to her South Side Chicago community by volunteering to produce fundraiser fashion shows, and various entertainments. Ormes was also on the founding board of directors for the DuSable Museum of African American History.

In 2007, cartoonist and comics journalist Cheryl Lynn Eaton founded The Ormes Society, which promotes black female comics creators. A biography of Ormes was written by Nancy Goldstein and published by the University of Michigan Press in 2008.

I feel really bad about not knowing a lot about this pioneering creator. I aim to rectify that mistake.

Posted at 3:02 PM 24 notes Reblogged from ladiesmakingcomics Tags: Jackie Ormes